February 26, 2016 Category: Postmodern
In 1958, the jazz pianist and composer Dave Brubeck was touring the Middle East when he heard a Turkish folk tune that repeated a rhythmic pattern divided into beats of 2 + 2 + 2 + 3 + 9. Brubeck later recast that Turkish music into a jazz tune titled "Blue Rondo à la Turk," a piece of music that serves as a great example of what can be done with odd meter in jazz. The Dave Brubeck Quartet first recorded the piece in 1959 for their ground-breaking album Time Out.
The rhythm of "Blue Rondo à la Turk" is organized into groups of nine beats, but it is the subdivision of the nine beats that makes the piece so fascinating. At the beginning of the tune, the nine beats are subdivided as 2 + 2 + 2 + 3. This subdivision is then repeated three times before switching to a subdivision of 3 + 3 + 3, which is only played once before switching back to 2 + 2 + 2 + 3. This pattern repeats itself several times before leading into an extended section of improvisation without the Turkish rhythms, which do make a reappearance at the end to wrap things up.
Whew! I wish you the best of luck at keeping up with what happens rhythmically, and I hope I have described it clearly and accurately.
Dave Brubeck Quartet