Classical Tyro

A Beginner's Guide to Great Music

Stephen Malinowski: Celebrating 10 Years of Music Animation on YouTube

Some people are synesthetes and claim to see various colors when they hear music. I’m not one of them. I would like to be. I would love to be able to visualize the tapestry of sound that so easily sets fire to my emotions. I would love to see what it looks like when my emotions change from sorrow to joy with a single key change. Music affects how I feel, but it doesn’t evoke color in my mind’s eye.

StephenMalinowski_forWikipedia_2011
Fortunately, I have Stephen Malinowski and his Music Animation Machine to help me with that. Malinowski creates animated graphical scores for great pieces of music, and I faithfully follow his YouTube channel, waiting for his newest creations.

I have always enjoyed following printed musical scores while listening to music. Knowing what’s in a score brings music to life. I can see individual notes and voices as they weave together, generating music’s magic. Following a printed score helps me understand how a piece of music is organized and grasp the musical narrative.

Malinowski’s animated scores serve the same purpose — and they do it with much more power and excitement than printed scores. His videos allow me to see what I am hearing and anticipate what is coming. The persistent forward motion of beautiful shapes and colors in Malinowski's videos has forever changed how I hear music. Malinowski helps me understand what it must be like to have some form of synesthesia, a condition for which I would seek no cure. If synesthesia would cause music to conjure up colors in the manner of a Malinowski video, I would welcome the diagnosis.

Malinowski published his first YouTube video — a recording of Bach's
Toccata and Fugue in D minor — in December 2005, and I am posting this blog in celebration of the tenth anniversary of that event.

Although Malinowski has posted over 365 videos in the last ten years, that first video has remained his most popular, receiving over 25 million views on YouTube. (That's right,
25 million!) Malinowski recently told me via email that his first video of Bach’s Toccata and Fugue was “crude and the recording was poor.” He recorded the music for that video on a synthetic pipe organ and decided to celebrate its anniversary with the creation of a new version. His first choice for the new recording was organist Hans-André Stamm, and Malinowski was thrilled when Stamm agreed to collaborate.

Here's how Malinowski described his newest version of
Bach’s Toccata and Fugue in D minor. (The video he is describing is embedded below. The toccata begins at 0:05 and the fugue begins at 2:26.)

“Since 2005, I've been developing tools and techniques for visualizing music, but for this video, I decided to keep it relatively simple (as a tip of the hat to the simple original video) and not distract from Stamm's performance: I use balls for the fast-moving parts of the toccata, rectangles for the toccata chords, and octagons for the fugue. The three-note motif that is the seed of the piece is highlighted in red."

Thank you, Stephen Malinowski! Thank you for bringing so much pleasure to those of us who love classical music and for introducing millions of people to classical music who might never have listened to it without you.


Performed by Hans-André Stamm on the Weyland organ in the Catholic parish church
Heilig Kreuz in Köln-Weidenpesch Cologne (Köln), ca. 1992.


As an encore, I invite everyone to follow the links below for a few of my favorite videos from Malinowski's Music Animation Machine. Enjoy!

Beethoven, Symphony No. 9 in D minor, Second Movement

Debussy, Syrinx (for solo flute)

Satie, Gymnopédie No. 1

Stravinsky, The Rite of Spring, Part 1

Stravinsky, The Rite of Spring, Part 2

blog comments powered by Disqus